I like early Gothic stuff. I really like English early Gothic, especially the manuscripts,the "Matthew Paris school" stuff. This is a nice example. So what do I like about it? I like the very format of the pen drawing with the delicate tinting. I like the sharp crisp folds of the drapery. I like how the drawing violates the frame. I like the clean lines and expressive postures of the figures. I even like the lack of background.
This is a leaf from a missal for the "Parish de Pirton". The image is dated to 1220-1230. The verso of this leaf contains a 14th century charter for the rector of the church of St. John Baptist, Pirton (Worcestershire). Leaf is in the British Library (Harley Charter 83 A 37).
This is a presentation miniature from a manuscript of Hoccleve's, The Regiment of Princes (British Library, Arundel 38, Folio 37 recto). Hoccleve wrote The Regiment for Henry V shortly before his accession to the throne as a homily on virtues and vices. The introductory portion of the poem contains reminiscences of London tavern life, and calls on Sir John Oldcastle, "rise up, a manly knight, out of the slough of heresy." (The heresey being Lollardy.) Oldcastle was an old friend of the Henry V, who Henry eventually had executed for treason and who served as the model for Shakespeare's Falstaff. Hoccleve also took work as a scribe and worked with Adam Pinkhurst, who in 2004 was identified as Chaucer's Adam scrivener.
This miniature is often identified as Hoccleve presenting the book to Henry. But the man presenting the book is very well dressed, much more so than would be expected of a scribe, so it may represent John Mowbry, Duke of Norfolk, presenting the book to Henry. Norfolk was an early owner of the manuscript and his coat of arms are in the initial below the miniature. This is the only miniature in the manuscript. Other decoration includes three sided borders and illuminated initials.
The Codex Manesse (Heidelberg, University Library, Cod. Pal. germ. 848) is a German manuscript, which was produced in Zürich between 1304 and 1340. It is an important literary manuscript, as it is the single most comprehensive source of Middle High German love songs, the songs of the minnesängers. There are 140 poets represented, who range in social status from the Emperor Henry VI to commoners. As important as the manuscript is for literary history, it is best known for its illuminations. There are 137 portraits of poets, many of them shown in full armor with heraldic devices. These illuminations have been widely reproduced, so much so that are almost the stereotype of High Medieval art. The last I was at Barnes and Noble I noticed at three books with cover art drawn from the Codex Manesse. The illustrations have also been widely used as decorative motifs. I have some wooden plaques with reproductions of some of these pages on my walls right now. Here are some of the images.
Emperor Henry VI, Fol. 6r.
Conradin, Duke of Swabia, King of Jerusalem, King of Sicily, Fol 7r.
Henry I, Count of Anhalt (The manuscript calls him Duke in error), Fol 17r.
And, since this is a manuscript of songs, here is recreation of one of the songs.
